The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

After the death of his wife, a man is greeted by an enthusiastic salesman.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
A family comedy that combines fantasy and normal school life.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7