A deer caught in the headlights is the perfect metaphor for Animals.

Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.

While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead. 

This film’s ambition is betrayed by its lack of substance.

The actions that Verity confesses to are tragic.  But the way to prevent those actions isn’t to force the related emotions into the shadows. 

Amid the ongoing debate surrounding Christa Pike’s death sentence, watching East of Eden, which shows that women can be monstrous too, is definitely refreshing.

Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.

Word of mouth has been incredible, but the film's faults cannot be ignored. 

A socially conscious film that draws attention to the plight of American military veterans.

Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life. 

This is not McDonald’s.  This is something different. 

Elsewhere is less than fourteen minutes long, but it delivers a more emotional impact than most feature-length films.