'The Harder They Fall': This Ain’t Your Grandma’s Spaghetti Western
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
Carnal Innocence (2011)
A famous violinist Caroline Waverly returns to her home town. A killer is on the streets, and Caroline may be a target for murder.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
A famous violinist Caroline Waverly returns to her home town. A killer is on the streets, and Caroline may be a target for murder.
Rating:PG
Genre:Mystery, TV Movie
Written By:Donald Martin
In Theaters:6/13/2011
Box Office:
Runtime:86 minutes
Studio:Stephanie Germain Productions, Mandalay Television, SilverScreen Pictures, Lifetime
Cast
Peter Markle
Director
Gabrielle Anwar
Caroline
Colin Egglesfield
Tucker Longstreet
Andrew W. Walker
Agent Matthew Burns
Pancho Demmings
Sheriff Burke
Jud Tylor
Josie Longstreet
Jennifer Bini Taylor
Susie
Drew James
Bobby Lee
Antonio D. Charity
Toby March
Kym Jackson
Edda Lou Hatinger
Ed Lauter
Austin Hatinger
Josh Blaylock
Cy Hatinger
Articles You May Like
Māhū—Reclaiming what’s rightfully theirs
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?
“Bound” Review: A Thrilling, Sultry, and Timeless Love Story
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
Walk. Ride. Rodeo. Reveals Amberley Snyder's Success
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
"The Slumber Party Massacre" Satirizes Slasher Tropes While They Are Still Being Established
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Broken Systems: Racism and Capitalism in “My Beautiful Laundrette”
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.