Produced, written and directed by Yılmaz Güney within his own personal experiences of capital offense, he dedicates Duvar to male teenagers aged 13 to 19 living behind the bars under diabolical treatments. These teenagers get barbaric corporal punishments, injurious harrows, tortures and sexual abuses just for taking the responsibility of their destiny on a wrong turn.
Yılmaz Güney
Director
Tuncel Kurtiz
Tonton Ali
Ayşe Emel Mesçi
La 'politique'
Malik Berrichi
L'Arabe
Nicolas Hossein
Uzun, 'L'échalas'
Isabelle Tissandier
Hatice, la mariée
Zirek
Cafer
Ali Berktay
Samil, le marié
Selahattin Kuzmoglu
Directeur de prison
Jean-Pierre Colin
Directeur général des prisons
Jacques Dimanche
Sevket, gardien-chef
Ali Dede Altuntas
Pépé Ali
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Paul Thomas Anderson blends tragedy, comedy in 2025 epic, "One Battle After Another."
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.