
Lao Zhuai is a handsome, successful, and unrestrained professional, a consummate playboy in a materialistic world. He frequently enjoys the nightlife with his friend Lao Mo, surrounded by women, yet none have ever truly touched his heart. This changes when he finds himself torn between two very different women: Yue'er, a pure and innocent new colleague, and Cai Yun, his powerful, sexy, and domineering boss. While facing a major challenge in his career, Lao Zhuai must also confront a personal crossroads: continue his carefree, detached lifestyle or finally "come ashore" and choose a partner to settle down with.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.