Disney Pixar's "Turning Red" - Mei as a Red Panda Learns Acceptance
Growing up is a challenge for everyone.

The first installment of the ARK Trilogy, adapted from Cui Lei's science fiction novella, Guide to Quantum Civilization. It focuses on a near-future story of Eve, an artificial intelligence robot during the quiet arrival of the four-dimensional beings, who fabricate a perfect set of lies by using the mystery of Kevin's origins, to shatter Darwinian evolution theory and leads everyone to believe that the Earth is merely an "ark" system, that triggers the beginning of a chronicle of the exploring the mysteries of human origins and extraterrestrial civilizations.
Growing up is a challenge for everyone.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
Here's what Disney got wrong with "Aladdin" and how it can avoid those pitfalls with "Hercules."
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.