'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

Luna is a former dancer, who left that dream behind for a grounded life managing her family’s construction business and gets the opportunity to transform a gymnasium into a studio for aerials. As she sneaks a moment to try dancing in the silks, she is surreptitiously discovered by Bennet, a professional aerialist, who has returned home from performing around the world. Bennet is none too pleased to walk in to find his contractor messing around on the silks, but when his partner for an upcoming show drops out, he soon recruits Luna to perform with him. As the hard work of this dynamic sport and the joys of Luna returning to her roots as a dancer bring them closer together, will their relationship crash or will they find a way to reach new heights?
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
'Unsolved Mysteries' is a reminder that not everyone has closure in their lives. Things will happen that have no known explanation, and seemingly come out of nowhere.