Laggies: Lynn Shelton’s Film Blends a Coming-of-Age Story With a Quarter-Life Crisis
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy



Metecan Duren’s “Pretty” is an ambitious debut for a 19-year-old filmmaker with genuine visual talent, even if the screenplay and pacing keep the horror film from reaching its full potential.
The horror genre has seen a bit of a resurgence in 2026 with successful films like “Obsession” and “Backrooms.” Moviegoers seem eager for original horror, judging by the strong box-office performances of both films.
I have to admit, horror is not my favorite genre. "Pretty won't be for every viewer, but I can see horror film fans salivating for Duren's movie.
Amid a surprisingly strong year for independent horror, "Pretty" arrives with genuine ambition but ultimately struggles to sustain its ideas.
Sometimes less can be more in independent filmmaking. I think here, "Pretty's" longer runtime may have taken the tension it created away. Some shots linger too long, while others feature too much exposition or clunky dialogue.
Here, I think Duren, the writer and actor, let down Duren the director. The Turkish teen also scored the film. It was truly a one-man production. That is admirable and a daunting task for a young artist.
Duren clearly understands composition in his film. He frames his actors well, creating several striking images. A tighter runtime would have kept our attention as the story plods through some of the scenes.

After contact with the ghost of a murdered young girl, Pretty becomes obsessed with uncovering what happened. But as strange occurences plague her home and violence creeps closer, she finds herself in a twisted game of love, murder, and jealousy.
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.