
In a small Mississippi town known for its opulent antebellum homes, a handful of locals who work in or adjacent to the tourism industry go about their daily lives. With tourism the town’s primary economy, myths of the Old South are not merely felt beneath the surface but make up the surface itself, and everyday interactions are inevitably imbued with the region’s fraught past. Stuck in the amber of a Confederate fantasy, locals eternally contend with questions of history and mythology, of industry and power. The characters of Natchez find joy, peace and melancholy amidst these specters in this vibrant portrait of life in the American South.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
The Noel Diary is about a man who unlocks an old diary containing secrets of the past.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.