I'm Going to be Late
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.

Pavithra (Manjari Phadnis) scribbles sweet nothings on whatever material she finds, including vegetables and shirts. Her love story with Manu Murthy (Ganesh) begins when she scribbles a sweet note on a bus going to a different city and is surprised to get a reply from someone at the other end. Manu, who is a happy-go-lucky guy, finds out that the messages that he gets and exchanges through the bus, are actually written by a girl. They exchange phone numbers in the same way, but the number gets washed off in the rain. Neither therefore knows the other's identity. Meanwhile, Pavithra's parents arrange for her marriage to a rich boy, who turns out to be Manu. They get married but they don't get along well, and decide to divorce. Do Manu and Pavithra get back together and discover their true identities?
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.