Director Teguh Karya intended to make a “real” comedy amidst the many slapstick comedies at the time, and in fact calls this film a bitter comedy. In the film, Ms. Sumirah, a widow who used to be a favourite pretty girl in Padalarang, worries about her daughter Anna, who is shy and self-conscious. She keeps pushing Anna’s brother, Willy, to invite home a co-worker from the clothing factory he works in. Then a change occurs after Anna meets Jaka, an English teacher living near her house. When their relationship starts to bloom, it is found out that Jaka is the son of Saodah, a woman who once had an affair with Sumirah’s husband, Van Nijs. Sumirah changes her mind and opposes their relationship. Finally Anna and Jaka elope.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
