Avatar: The Last Airbender Both Protests and Embodies Colonialism
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.

Ramiro is a journalist that after being on a car accident, develops phobia to speed. Suspended from his job, a mysterious publisher commissioned him to write the unauthorized biography of Ana Patricia Jones Ahumada, a Chilean rock legend. The investigation leads them to start a relationship, until one day she dies in a car accident. Devastated, Ramiro meets a woman of identical features and try to reconstruct it the image of his beloved, but is this a coincidence? Free adaptation of Hitchcock’s Vertigo.
Avatar: The Last Airbender's success fifteen years after its premiere proves the enduring power of its storytelling. But it's more than just a quality show.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.