Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

During a cozy evening in front of the tv with sparkling wine and creamy tarts, Betty tells her friends Stefan and Gesa about her four-month stay in a neurological research institute, which results in them eventually revealing absurd and formative experiences from their own pasts. In the background other figures lurk, waiting for their chance to butt in and add their own to cents.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.