Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

In the town of Entroncamento, violence, misfortune, greed, and loyalty rule the streets. Laura arrives there to rebuild her life, but the irresistible pull of quick money and crime immediately draws her back into a troubled past. For those she meets at this crossroads, every day presents the choice between who they were and who they might become.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
Based on a true story, when his beloved dog goes missing, the owner embarks on an incredible search with his parents to find him.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'