Every summer night, in some small towns, locals and vacationers gather in the town squares to enjoy the experience of watching an outdoor 35mm film screening. To make this event possible, there are people who work tirelessly on what may be their last days, as the traditional photochemical format is disappearing in favor of digital cinema. This documentary chronicles the summer journey of an outdoor cinema entrepreneur who is facing the forced restructuring that the digital age has imposed on film exhibition. As the director explains, "I wanted to tell the story of one of the people who has impressed me most throughout my professional career, Miguel Ángel Rodríguez, with whom I have worked on outdoor screenings during the summer for many years. He is the perfect protagonist to show the transition from celluloid to digital screenings."
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
The Incluvie predictions for various categories in the upcoming 2022 Academy Awards nominees. Best Picture, Actor in a Leading Role, Actress in a Leading Role, Animated Feature Film, Directing, Documentary.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
