Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

Everyone has a price tag and anything can be bought if you are willing to pay the price. Ngai Chi-sang is an up-and-coming artist whose works fetch increasingly lucrative prices in the art market, but his world turns topsy-turvy when an accident takes away his greatest asset. This comes as devastating news to his patron, Sheung Chi-yau, a speculator willing to risk it all in search of high profits. Believing that his lifeline lies in a groundbreaking surgery, the artist enters into a deal with the patron and a surgeon, setting the stage for an intricate cascade of intrigue, deceit and desire and turning the fortune around for all three players.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Shakti’ is a survival guide for women all over the world.
An adventure that centers on freedom and captures viewers' hearts.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.