Guillermo del Toro's Pinocchio
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.

Javier is a talented student of fine arts. Ana is a newbie attorney wanting to be an actress. Andrés is a philosophy student who has not yet found his way. They keep a friendship of many years. However, accustomed to sharing their routine lives, they kept silently the desire to love each other. But the constant provocation, jealousy, insecurities and longing to realize their desires drags them to confrontation, to know themselves and to experiment their emotions, sexuality and eroticism. It’s time to stop and take a decision.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.