“Fjord” is Beautifully Indecipherable
Fjord, like its story, is not a conclusion, but a beginning.

After the fall of the Berlin Wall, Cosima Richter's East Berlin apartment building is to be renovated. Cosima is furious about the project and visits the landlord to dissuade him from his plans, but she is shocked when she comes face to face with a homeless alcoholic. Her plan is in danger of failing unless she can turn the bum into a decent person.
Fjord, like its story, is not a conclusion, but a beginning.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Season three of Netflix’s "You" has finally made its comeback! Was it worth the wait? Well…I would not say so. It felt like a bit of a chore to get through. But, as I am somewhat of a completionist, I eventually saw the season through to the end.
Mulan had to struggle to feel like herself and see herself properly. Some of us have to strive to have our reflection mimic what’s inside. We have to crawl. We have to fight.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.