The film tells the story of a gangster who has been involved in crime since the age of five and whose life changes through love. Ömer has been in and out of prison since he was a child for crimes such as robbery, theft, extortion, assault, and murder. Known to everyone as Kasımpaşalı İt Ömer, this gangster falls in love with Naciye. Upon his release from prison, he learns that Naciye is being forced to marry someone else. Naciye's family wants to marry her off to Rıza, a wealthy casino owner. Ömer kidnaps Naciye from the wedding altar. Ömer and Naciye hide in Şile for a while and consider fleeing to Adana. They want to build a new life for themselves in Adana. However, their plans for the future will come to an end when Rıza also arrives in Şile.
Season three of Netflix’s "You" has finally made its comeback! Was it worth the wait? Well…I would not say so. It felt like a bit of a chore to get through. But, as I am somewhat of a completionist, I eventually saw the season through to the end.
Korean culture shines in this Canadian export.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
Marvel's Moon Girl and Devil Dinosaur shine as they battle their way through supervillains, social issues, and school bullies on the Lower East Side. Moon girl magic in the moonlight! A must-see for all Marvel and fantasy/science fiction fans.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
