An elderly commander takes his young lover, Milena, the daughter of an employee, to his beach mansion, leaving her in the care of the housekeeper, Letícia, who has sexual relations with the girl. On walks around the island, Milena meets a fisherman, Dimas, who will give her life a new direction. Over the weekend, the commander arrives with friends and throws a wild party; unsure of what to do, Milena accepts a ride in the red Mercedes of one of the guests and returns to the city.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
Religion, race and generations collide in this romantic comedy starring Jonah Hill
'A Wrinkle In Time' combines fantasy and science fiction to bring the classic story to life.
