“Birds of Prey” and the Fantabulous Emancipation from the DCEU
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.

Because the late Berlin artist Dorn failed to pay his taxes or inform the family for years, his widow Erika and daughters must urgently sell the splendid estate in Tuscany they hardly visited since his death anyhow. Eldest daughter Valerie, junior partner in fiancé Andreas Imdahl's rising architects firm, travels ahead to negotiate with the suitable candidate Robert Beck, a fellow German, who agreed trough mayor-publican Fredo to keep on caretaker Antonio 'Toni' Gianni. By the time Andreas arrives, he finds Viviane unfaithful with her study lover Stefan Korten, but is interested by Toni's daughter. Second daughter Susi and her fellow arts student fiancé Bruno Tomasi have several announcements. Mother arrives stating she decided to sell the Cologne home instead, but Robert offers an alternative. Written by KGF Vissers
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.