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David Fincher is back in his playpen, with a dark and chilling thriller.

The golden age of home video may be over, but VHS is still very much alive for these dedicated fans, collectors and low-budget filmmakers.
David Fincher is back in his playpen, with a dark and chilling thriller.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
Although bogged down by a slow pace and moralistic intent, ‘Deadly Garage Sale’ (2022) makes the most of its silly and nonsensical premise.