'Peter Rabbit 2': The Runaway Hare
The second film takes us on Peter's journey to be understood.


A slice from the life of an addict living in the UK.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes. Following my instinct was the right choice, because this gentle character-focused directorial debut from Harris Dickinson has moved me in ways I wasn’t really expecting.
Dressed in shaggy clothes, his head adorned with spiky hair, the main character in Urchin is a young homeless addict called Mike. Like the urchin at the bottom of the ocean, he lets the currents of life pull him back and forth, back and forth.

Mike, a rough sleeper in London, is trapped in a cycle of self-destruction as he attempts to turn his life around. Along the way, he encounters unexpected chances for a fresh start.
The second film takes us on Peter's journey to be understood.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
It’s dark, uncomfortable, and there are things that don’t make sense.