Umbral 

The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers. 

Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.