The Suicide Squad—An Overlooked and Underrated "Sequel"
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.

A clever and lively girl who gets lost in the world of radio drama believes the woman playing mahjong is not her mother, and runs away from home to search for her imaginary mother. A scoundrel claims to be the girl’s father to escape from police. They encounter two women in the mountains: one is tortured by his workaholic husband who engages madly in his scientific research, the other is the pure and naïve girl living in the mountains. Typhoon is coming. They are trapped in a weather station by the heavy rain with their heart and mind overwhelmed by emotions like the rainstorm outside. The film daringly deals with the near infidelity of a middle-aged housewife, a subject at that time both unusual and controversial.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
Despite its aggressiveness, the Beef anthology series is about romantic love in all its forms. The final scene of the first season led us to believe that, despite the conflict, drama, and toxic traits, the main characters would end up together and, most likely, live happily ever after. The whole “beef” plot was the prelude to their love story.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.