A Survivor's Story: Breaking Down the Season 4 Finale of ‘Handmaid’s Tale’
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.

A Native American owner of a kitschy roadside museum accidentally brings to life three dinosaur fossils. Now really annoyed, the giant dinos wreak havoc on the small town and the local university.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.