The bricklayer Ulli has received a letter from his girlfriend Sabine asking him to come to her from Berlin as soon as possible. Sabine works as a sales clerk in a small village in the Zittau Mountains near the border with Czechoslovakia. However, when Ulli arrives at the station, Sabine is not waiting for him. He goes alone to the Fuchsbau inn. Sabine's friend Traudel only knows that Sabine has made her way to the station. When she notices that Sabine's room has been cleared out, she calls the police. All the police find in Sabine's room is a map showing a trip to Hamburg. They now consider Sabine to be a fugitive from the republic.
Günter Reisch
Director
Ulrich Thein
Ulli Sperber
Eva-Maria Hagen
Sabine
Annekathrin Bürger
Traudel
Raimund Schelcher
Man with leather jacket
Uwe-Jens Pape
Hanno
Friedrich Gnaß
old Grabbert
Hermann Kiessner
Herr Eschka
Kurt Dunkelmann
Herr Lehmann
Hans-Peter Minetti
Dr. Meisel
Horst Kube
The younger
Herbert Körbs
The older
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
This movie is based on the LEGO Disney Princess building set.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.