Celebrating the Diversity of the 2026 Oscars
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.

The young-adult novel by Garrison Keillor and Jenny Lind Nilsson gets a lively update in this Showtime feature about an unusual family in Sandy Bottom, Wisconsin. The Greens share musical aspirations, but daughter Rachel (Madeline Zima), a talented violinist, is the one most likely to achieve them. Norman (Tom Irwin) is a dairy farmer and Ingrid (Glenne Headly) is a choir director who abandoned the piano when she married and settled down, but the Greens are a happy family, for the most part. The trick is finding a way to reconcile their dreams with a reality that may hold more riches than they realize. When Norman gets a chance to conduct the local orchestra for the Dairy Days celebration, it's an opportunity for the family to come together, not just with each other, but with a community they had never fully appreciate
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
Happy Halloween! If you were debating capping off Spooky Season with a viewing of Hocus Pocus 2, it is just very clear that this is more for the younger audience as opposed to people who grew up with the original.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.