
Filmed in Sanur, Bali, The painter-tailor is a family portrait. Drawing together multiple perspectives through the use of 16mm film and HD video that were made by the artist with her relatives and a family dog, the story revolves around the last painting created by Sriwhana Spong’s grandfather, the artist and tailor I Gusti Made Rundu (1918–1993). It is the only work that the family still owns and evokes memories of his life and role as an artist. Setting the work in the surrounds of the family home and alongside photographic albums, the film reveals the social, economic and political contexts that influence art-making. Sriwhana prompts us to think not only about the ways that we make art and images, but also their distribution and the act of looking. Through this lens we can see the effects of colonization in Indonesia and the subsequent impact on traditions of art and image-making.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The external threat invaded the domestic environment at the most valuable moment: grieving.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
Intergenerational friendships and community can be so powerful, and this was a great example.