
Camilo, Mechas, Manu, Ana and Pipa are five friends going through that blended trance of intense unrest, astonishment, contained tenderness and manifested rage that is typical of the end of adolescence. They survive at the edges of a city, Medellin, that simultaneously attracts and excludes them, that lure them with promises but rejects them with hostility. Nevertheless, they want to embrace the city and fight against its logics of fear. Music, street art and friendship are their weapons of resistance, hoping for a rite of passage that could transform them into someone else.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.