‘The World to Come’ Movie Review: A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

In a border town, cousins Moi and Gabby find themselves stranded in the woods, where they encounter a kind hearted shape-shifting Buffalo Man. As they navigate a dangerous and unpredictable journey, they are forced to confront their grief and reconcile their friendship to escape the clutches of an evil shape-shifter.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Korean culture shines in this Canadian export.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.