"Marriage Story" is no "Kramer vs. Kramer"
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.

The late artist Kim Tschang-yeul built his deep world of works around one motif: water drops. An artist's enigmatic world and a collaboration with his son, the film's co-director, who seeks to understand it, has created this meditative yet serene film. His water drops are a symbol representing the sad history of Korea and Asia, and they quietly but powerfully resonate with the world through his lifelong works and lives with his family.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
A throwback to the last months of the 20th century in this comedy film.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.