Having dedicated his life to the preparation of the revolution in the Russian Empire, Vladimir Lenin, living in exile in Switzerland, desperately seeks a way back to Russia to take control. Options are few when Lenin receives an offer from Alexander Parvus, the most infamous of political opportunists, who has made a deal with Germany to sponsor the revolution under Lenin’s command and smuggle Lenin and his comrades into Russia. Aware that making a deal with 2 devils could cost him everything, Lenin knows he must outsmart and outmaneuver Parvus and the Germans at any cost...
Vladimir Khotinenko
Director
Evgeny Mironov
Vladimir Ulyanov
Fyodor Bondarchuk
Alexandr Parvus
Darya Ekamasova
Nadezhda Krupskaya
Maksim Matveev
Alexei Mezentsev
Aleksandr Baluev
prince Turkestanov
Viktoriya Isakova
Inessa Armand
Paulina Andreeva
Sofia Rudneva
Artem Kurgansky
Grigoriy Sokolnikov
Svetlana Belskaya
Evdokiya Lavrukhina
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.
The external threat invaded the domestic environment at the most valuable moment: grieving.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.