Directors have been returning to the times and places of their youth since at least the early seventies. At the time, only the most celebrated international directors made quasi-autobiographical love letters to one’s home or family, often towards the end of their career. Today, the release of
The Tree of Life,
Boyhood,
Moonlight,
Lady Bird,
Roma, and
Minari suggests almost every director is carving out space in their careers for such films.
Some of these movies stand out as stunning works of authenticity and vulnerability, carving out space in the film industry and the larger world for the people they represent (
Moonlight for Black, queer men and