The Girl in a Swing (1988)

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.

This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.

When I first saw the pilot for The Owl House, I knew instantly that it was special. It had an immense charm to not only its characters, but its story as well! It quickly became my sister and I’s go to Disney show to watch as a family, and we couldn’t wait to see what would happen next.

The 'Shaft' remake fails to capture blaxpoitation's rebellious spirit.