In July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris, 13 year old Tauba Birenbaum and her parents, who are Polish Jews, find refuge in a tiny room for the next 765 days. Living conditions are tough and they fear being discovered at any moment. But while her parents sink further into despair, Tauba’s fighting spirit shines through. She finds joy in every little thing, from a piano drawn on the floor, to the views of Paris through an open window. Despite extreme circumstances, she will keep hope until the liberation of Paris, and take back control of her life.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
An adaptation of the book series ‘The Knife Of Never Letting Go’.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
