Roy Stuart started as photographer, but later made documentary movies as well, such as “Glimpse”. His photographs often deal with the female body. In The Fourth Body we apparently see him at work. Not that we see much of the photographers, the movie concentrates on females. Sometimes they are dressed, usually they are undressed. We see a few hardcore scenes being recorded, but usually we see females on the set. Many of these sets are either artsy, weird or fascinating. There are also shorts scenes of the changing of the guard in Copenhagen. This movie is not a movie in the traditional sense, for no real story is told. In fact it is more or less a collage of moving photographs.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
