Metahaven's 2024 The Feeling Sonnets (Transitional Object) uses essayist and fictionalized motifs and patterns for its imaginative take on a 2022 poetry collection by Eugene Ostashevsky. The film builds on the collective’s earlier moving image work, such as Chaos Theory (2021) and Hometown (2018), investigating joy, absurdism, truth claims, and childhood—now with Ostashevsky’s poetry as its impetus. The Feeling Sonnets (Transitional Object) follows protagonist Amélie Haest in three roles, responding to Ostashevsky’s verse, in which words, sentences, idioms, and poetic conventions are dislodged and defamiliarized across historical backgrounds and mutual (un)translatability.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
