“Primetime” and Emptiness
This is not McDonald’s. This is something different.


I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame". This was the cap on what could arguably be considered one of the preeminent film series of all time when it comes to the superhero genre being brought to life through such vibrant, affecting character development and stunning visual spectacle. It was simply awe-inspiring.
Then came the post-"Endgame" era. Yeah. NOT my favorite span of time. This critic became so disenchanted with most (not ALL, mind you) of the offerings released and I honestly felt it might be "The End" of quality Marvel theatrical gems. This is when I will firmly and confidently state: "THANK GOODNESS for "Fantastic Four: First Steps"! Bringing back the overall mood, tone, and storytelling that made that original 22 films so entertaining and worthwhile to view, this newest installment to the MCU finally re-discovers the magic.

Against the vibrant backdrop of a 1960s-inspired, retro-futuristic world, Marvel's First Family is forced to balance their roles as heroes with the strength of their family bond, while defending Earth from a ravenous space god called Galactus and his enigmatic Herald, Silver Surfer.
This is not McDonald’s. This is something different.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
If you’re looking for an engaging female-led film that touches on the genres of action, drama, and thriller, look no further than Le-Van Kiet’s "Furie".
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.