“Young Washington” Is Imperialist Propaganda
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.

An embezzler, Bill Marsh, swears vengeance on a businessman, John Travers, who has turned him in to the police. Twenty years pass, and Marsh emerges from jail and establishes himself as the head of a powerful crime empire, with his daughter, Paula, serving as bait to attract wealthy victims. Paula falls in love with Lee Travers, the adopted son of Marsh's old enemy, and begins to have doubts about her life of crime. Only after a series of tragic incidents is she set free to marry Lee and start life anew. This silent feature was highly regarded for its set design and 'unusual sensitivity to the expressive range of the camera and their awareness of careful scenario construction as a key to emotionally powerful cinema'. Cast includes Marie Lorraine, Arthur Greenaway, John Faulkner. A sound version was attempted soon after but was not successful and was never released.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.