EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

A steel-clad fiend terrorizes Tokyo, raiding clock shops. Detective Kogoro Akechi uncovers a map hidden in a prized clock, leading to a uranium deposit. He deduces the fiend is his nemesis, the Fiend with Twenty Faces.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.