A young brother and sister are abandoned in the vast and lonely landscape of the 19th century American West. Each day, they struggle to keep up the family farm, anxiously waiting for their parents to return. With nowhere to escape, the two siblings are about to discover that they are not entirely alone. As much as they try to deny the truth, something behind the attic door has awakened and they must now face their greatest fear. THE ATTIC DOOR is the story of love, loss, loneliness, and the truth behind childhood fears.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
A family drama is woven with quiet yet powerful forces of words and nature.
