Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The lives of the late Bradford playwright Andrea Dunbar and Lorraine, one of her daughters, and the community of Bradford, in the 30 years since the 18-year-old Andrea penned a play about growing up in the community titled "The Arbor".
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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