"Get Out"
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.

The gripping story of Robert King Wilkerson, Herman Wallace, and Albert Woodfox, men who endured solitary confinement longer than any known living prisoner in the United States. Politicized through contact with the Black Panther Party while inside Louisiana's prisons, they formed one of the only prison Panther chapters in history and worked to organize other prisoners.
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.