"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

The story begins with a group of friends: Sridhar, Chandana, Nandini , Mahesh, Bhakti, Jessica, Kishore, Scud. Each of them have their own stories and in between that is the unexpressed love track of Sri and Chandana, Bhakti and Mahesh, Nandini is in love with Kishore. They all finish their college exams and are all set to take on the life with full energy, but then life has its own twists and turns for them and this in turn gives them an experience which is unforgettable and memorable.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
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