
Estela "Taray" Caluglog is a stern and faultfinding provincial girl who travels to the city to prepare her papers to become a domestic helper in Singapore. Once a sunglasses-wearing boy named Teroy accidentally bumps Taray with his motorcycle, Taray angrily chases after him with her switchblade. As further hijinks ensue, the two get to know each other and eventually fall in love.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
Dracula evolved from a person to a monster and then from a monster to a person.
If you want to feel the rush, you have to take the risk.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.