"Waves" Goes the Wrong Direction in Racial Depiction, Despite Its Intent and Beauty
Spoiler Warning

Mariko, a seemingly normal housewife, has been together with her younger husband named Tomoharu for six years and has been dissatisfied every day. Despite having a son together, Tomoharu is often absent from home and she suspects he might be having an affair. Her workplace, a batting center, is also a miserable environment because the sleazy manager chases after her and the customers are rude. With constant pressure bearing down on her in public and private, Mariko becomes dominated by a certain obsession that eats away at her perception of reality.
Spoiler Warning
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.