Superbad (2007)

As minor as it may be, if there’s any silver lining to the lumpish state of the quarantine era, my argument is the push to revisit older cinema.

I mean to some level it was mandatory; these were days that a Sunday trip to the local cinema was deadly. But still, I do enjoy that we all learned to appreciate what has already come, including myself. As I was rewatching the bigger releases, I noticed a troubling phenomenon emerge ever so subtly. There was what I expected: films that I viewed as progressive, and films that I knew were troubling and still are. But the newest addition were films that in my youth felt like a point in the right direction, but on the revisit felt more like they were way behind me. And nothing fit more into that category than the 2010 release Easy A. Easy A is pretty anti sex.

Now before we plan my execution, I would like to say I still enjoyed the film! It exudes a charming energy that makes it fun to watch, the cast are all pretty good actors, and the script had a lot of dialogue that feels both cringe inducing and also extremely nostalgic. And speaking of the late 2000s, it’s not lost on me that Easy A features somewhat forward female depictions in a time when those were effectively endangered. None of the ladies involved are supposed to be good or bad really, more so unconscious players in a system where they are set up to lose. The film does have nods to how female sexuality is weaponized and used as a pseudo-Star of David, informing how we should all treat them. This is why I like the tie in with The Scarlet Letter and the idea that visual metaphor carries. The setup of this conversation is fine. Where things become murky for me is in the execution. By the end, the film revels in the idea that there is nothing wrong with being a woman with a sexuality, and I agree, but there’s one problem: none of the women do!