Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

A hopelessly silly young flibbertigibbet from Mississippi is faced with the choice of her poor, boorish New Jersey boyfriend or a dashing Opera star, a man of experience.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.