Women can have it all! Right?! A review of HBOMax’s “Expecting Amy”
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.

Strawberry Fields is the story of two sisters who both like the same man but in different ways and is a bold and inventive melodrama that offers a distinctively refreshing spin on a complex story of lust, rivalry and liberation. A seemingly carefree woman is seen cycling through narrow lanes before reaching a strawberry farm where she takes on a job, living in a shabby caravan, starting to develop friendships with her co-workers and in particular one rugged farmhand, Kev. Although aloof and mysterious its not until a dazzling woman appears in the strawberry fields that we discover who she was running away from her sister, Emily. Emily is eccentric to the point of dangerous and its not long before the two sisters form a battle of wills with Kev caught in the crossfire (http://forum.movie-list.com).
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
This movie will always resonate with queer people, for as long as queer people exist.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.